Mount Olympus E-3 -
- Backhand aside
Intro
The Olympus E-3 is the flagship DSLR of the 4 Thirds standard. Officially announced in Oct 2007, it comes four and a half age after its predecessor, the E-1. The original E-1 was the camera which launched the Foursome Thirds standard support in mid 2003, and it's legible to say information technology's been looking for more than a little long in the tooth compared to rivals.
Olympus recognised this and certainly hasn't been wary about talking-up a successor, with prototypes shown equally weeklong agone as Photokina 2006. After numerous leaks and official previews, there's really not many surprises about the E-3's final specifications, only every bit you'd anticipate given the crack between it and the E-1, information technology's a significantly much powerful camera in all respect, while also managing to address many of the criticisms of the 4 Thirds standard to date.
The resolution has unsurprisingly increased from the E-1's 5 Megapixels, although the E-3's 10.1 Megapixels may non be every bit high American Samoa many had hoped for given the price. But it's crucial to note this is not the Saami sensor A found in the entry-level E-410 and E-510 models – the E-3 employs a new design to support faster 5fps continuous shooting, and the quickest shutter is 1/8000; the highest sensitivity is 3200 ISO. Like the consumer Olympus DSLRs, the E-3 also supports Live See.
Following on from the E-510, the E-3 features built-in stabilisation away physically shifting its detector. Olympus makes big claims of up to five stops of compensation, and this is something we'll be testing in this reexaminatio. The tv camera of course also employs Olympus' Inaudible Undulation Filter (SSWF) organisation to combat sprinkle, which in our tests with earlier E-Serial publication DSLRs has proven the well-nig strong system up to now.
Hitherto, all Mount Olympus's DSLRs engaged a fairly basic three-aim AF system which while acceptable connected budget models, was a weak point for a higher-end camera. Thankfully the E-3 now features a sword new 11-point AF system of rules. Whol 11 points are fully biaxial and Olympus claims it's actually the world's quickest AF system when used in conjunction with the ED 12-60mm 1:2.8-4.0 SWD lens.
Composition is a highlight on the E-3. The optical viewfinders on Four Thirds DSLRs have always appeared smaller than touch cameras, but with the E-3, Mt. Olympus has pulled impermissible all the stops with a large penta-optical prism to deliver 1.15x magnification and an impressive 100% coverage.
We've long-known from various previews the E-3 would characteristic a full-articulate flip-impossible screen, merely IT's unmoving a joy to find it round the back. Information technology's a 2.5in 230k model which can flip to whatsoever angle including facing the photographer. This makes the E-3's Live View facilities that more useful, although IT's interesting to note the camera doesn't backup contrast-based AF in Live View – so there'll relieve be the usual delay every bit the camera flips the mirror down and up again to take a reading.
Physically speaking the E-3 is too very tough, sporting a Mg debase body and environmental sealings which pull round both splash and dust-imperviable.
Thus with the E-3 Olympus has addressed respective criticisms against the Four Thirds system. The viewfinder is much bigger than previous models and too delivers 100% reporting. The 3-point AF arrangement has as wel been replaced by a untested 11-point system which with the right lens claims to be the human race's fastest. And Live View has been made much more reclaimable with a fully articulated screen.
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It's certainly an impressive specification, but heavenward against very tough rivals in the form of Canon's EOS 40D, Nikon's D300 and Sony's A700. The Canon and Sony are priced noticeably lower and while the Nikon costs roughly the same, it offers one of the most powerful boast-sets on the market today.
So while Olympus has pulled-out all the stops for the E-3, is it enough in now's highly competitive semi-in favou market? Get wind in our Olympus E-3 review where we'll compare it against these key rivals and see how its features weigh-up. And as always, for a demonstration of its key features, check our Olympus E-3 television enlistment.
Testing notes
We tested a final examination-output Mount Olympus E-3, linear firmware interpretation 1.1. Following our convention of testing cameras using their manufacturing plant default settings unless other than stated, the E-3 was set to Larger-than-life Fine JPEG quality, Auto Edward D. White Balance, ESP with AF metering and with the Natural Picture Mode and Normal Graduation; Randomness Reduction and the Noise Filter were set to their ON and STD settings respectively. In-photographic camera IS was enabled for handheld shots and hors de combat for tripod-supported compositions.
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Olympus E-3
Source: https://www.cameralabs.com/olympus_e-3/
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